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・ Gregorio Licaros
・ Gregorio Luperón
・ Gregorio Luperón High School for Math & Science
・ Gregorio Luperón International Airport
・ Gregorio Luque
・ Gregorio López
・ Gregorio López (handballer)
・ Gregorio López (writer)
・ Gregorio López de Tovar
・ Gregorio López-Bravo y Castro
・ Gregorio Manuel Salvador
・ Gregorio Manzano
・ Gregorio Marañón
・ Gregorio Marañón (Madrid Metro)
・ Gregorio Maria Aguirre y Garcia
Gregorio Mariani
・ Gregorio Martínez Sierra
・ Gregorio Marzán
・ Gregorio María de Silva y Mendoza, 9th Duke of the Infantado
・ Gregorio Mayans
・ Gregorio Mengarini
・ Gregorio Morales
・ Gregorio Nardi
・ Gregorio Pacheco
・ Gregorio Pagani
・ Gregorio Paltrinieri
・ Gregorio Panzani
・ Gregorio Papareschi (cardinal)
・ Gregorio Paz
・ Gregorio Peces-Barba


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Gregorio Mariani : ウィキペディア英語版
Gregorio Mariani
Gregorio Mariani (Ascoli Piceno, August 24, 1833 – Rome, January 23, 1902) was an Italian painter, mainly of genre and costume genre subjects in oil and watercolor, in addition to portraits.〔(Pompei: La Fortuna Visiva ) exhibition. Short biography from Dizionario Comanducci (1970).〕
He is no best known for his engravings about Roman antiquities.
==Biography==
He studied at the Accademia di San Luca. He was commissioned by the Prussian Archeologic Institute to illustrate using chromolithography the antiquities of Rome and the Lazio. He made plates depicting the Tombs of Via Latina, outside Porta San Giovanni; the frescoes from the palazzo dei Cesari, and those found in Corneto Tarquinia. He spent months in the Catacomb of Callixtus, outside of Porta San Sebastiano, working under candle-light and drawing sepulchral inscriptions and murals of the first Christians. Many of these drawings made it into the publication on the illustrated book on the Catacombs by the Christian archeologist Giovanni Battista de Rossi. Mariani also made many lithographic designs for the Bulletin of the Roman Archeologic Commission.〔(''Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti'' ), by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 280-281.〕

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